Revolver

In print for over 20 years, the magazine takes readers into the studio, onto the stage, and behind the scenes, providing in-depth information, mind-blowing original photography, and hilarious insights they can't find anywhere else.

LETTER FROM THE EDITOR

Revolver

UPRISING • ARTISTS YOU NEED TO KNOW NOW

01 Static Dress • Using DIY theatrics and post-hardcore acrobatics to “make rock music cool again”

02 Drain • Fighting against the current of high-cost living and familial pressures until the whole world’s riding on their thrashcore wave

03 Absent in Body • Current and former members of Sepultura, Neurosis and Amenra unite to tell the story of “humanity destroying itself”

04 Zheani • Forged in the crucibles of rural Australia and the internet, this next-gen provocateur is ready to burn it all down

05 Undeath • Death metal’s hottest young band rises from screamo ashes

VANGUARD • REBELS, INNOVATORS AND ICONOCLASTS

GHOST • Ringleader Tobias Forge talks time machines, supporting transgender youth and exploring “spiritual annihilation” on new album Impera

BRING ME THE HORIZON • From deathcore roots, the U.K. shapeshifters have broken boundaries and claimed legit stardom. But the road has been hard for Oli Sykes. Determined to keep down his demons, he knows he “cannot fuck this up.”

CITY MORGUE • With music videos too hardcore for YouTube and raucous shows known to break bones, rap metal’s most dangerous young duo is about to get even weirder

COHEED AND CAMBRIA • For 20 years, he’s been telling stories. Now, Claudio Sanchez is learning to live outside of the lines.

Alissa White-Gluz • Arch Enemy’s vocalist shouts out the records that mean the most

Ho99o9 • How the Slipknot-endorsed rap-punk firestarters made their most devilish and destructive music yet — with Travis Barker

AUTHOR & PUNISHER • Backed by members of Tool and armed with an arsenal of sonic inventions, industrial metal’s leading mad scientist finds hope amid the doom

Q&A: Jonathan Davis • Korn’s singer is still “purging” rage and anguish through heavy music, but this self-described “beaten dog” finally sees joy on the horizon

Marald van Haasteren • “Inspired by Ghost’s fantastic Impera album art that nods to Aleister Crowley. I wanted to repeat the nod. The Victorian wallpaper and its emblems symbolize mankind’s departure from nature to the start of Industrialization … ‘Call me Mephistopheles.’”