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In this mesmerizing psychological novel, a strange job leads a widowed photographer down a rabbit hole where the line between past and present, and the living and the dead blurs.
What is our relationship with the dead? How do we remember them? What dark secrets do our images of them hold? How do we emerge from grief to face the time we have left?
Ten years after the tragic death of her husband, Dolores Ayala, owner of an old photography studio that has run out of clients, receives the most unusual assignment of her career: to take a portrait of a deceased person on the day of his funeral. Accepting it leads her to meet Clemente Artés, an eccentric old man obsessed with recovering the ancient tradition of photographing the dead. Under his guidance, Dolores will explore this forgotten practice, experience the slow time of the daguerreotype, and our need for images to remember those who are no longer there. She will also discover that some of them hold dark secrets that should never be revealed and, above all, that the dead never cease to move and sometimes pounce on the memory of the living.
Miguel Ángel Hernández has written a subtle, dazzling novel about the borders between life and death, about memory and guilt, about the past that stays with us and our constant search for air to breathe.
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    • Publisher's Weekly

      November 25, 2024
      Spanish writer Hernández makes his English-language debut with the macabre and stimulating story of a woman drawn into the world of mortuary photography. More than a decade after the untimely death of Dolores’s husband, Luis, she remains locked in grief, and she accepts a job at a funeral home out of a curiosity she can’t quite explain. Her elderly boss, Clemente Artes, wants to pass the baton now that his health is deteriorating. As he trains Dolores, her love of photography reignites, helping her better grapple with Luis’s death as she considers the nature of mourning and what it means to capture lost moments—and people—through photography. But as she digs into Artes’s past, unsettling suspicions arise that force her to question his passion for the work and, in turn, her friendship with him. Dolores’s uncanny feelings build as her town is plagued by floods, giving this exploration of grief a gravitas that edges on the gothic, even as Hernández’s style remains sober and satisfyingly understated. This will linger in readers’ minds.

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  • English

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